Following the trend of social dances in New York, the eccentric dances of Paradise Garage formed the basis for the Loft style of the mid 80’s. As the “New Jersey” sound took hold in New York, the loving reinforcement of the music became the catalyst for the dance form. Clothing and environment played a large part in the styles development. Many practitioners opted for formal attire, including dress shoes and slacks. Many of these dancers opted for spins and footwork instead of fast movements or floor work. Others felt the movement should be natural and the clothes should allow the body to freely interact with the music. This group would often wear athletic shoes and gym attire while challenging the limits of their bodies.
The movements are broken into various sets:
• Soft, flowing, movements accentuating the relationship between the members and the music
• Short footwork with emphasis on the innuendo versus raw speed or power
• Large, athletically challenging movements with emphasis on grace and control


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this is the dance leave been
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1. The Loft was before the Garage, Larry Levan learned from David Mancuso at the Loft before he played at the Garage.
2. No body wore a suit and tie to the Loft at least not the regulars.
3. Prince Street Loft had the pedestrian’s upstairs and the Hard Core dancers downstairs. Our culture was based on connection to the music and our Loft family with David as Maestro. We were close knit and David guarded us with a strict membership policy that tolerated no bad behavior.
4. Our influence spread to other clubs when we would go to Washington Square Park or Central Park en masse, and would continue dancing often drawing crowds from which we would collect beer food and battery money.
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